ticketsMember | Make a donation
Search

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 114 results for Ambrogio de Osma
Sort By:
Shaffron (Horse's Head Defense)
Ambrogio de Osma
ca. 1460–70
Composed Armor for Man and Horse
Missaglia workshop
ca. 1450–1525 and later
The Blessed Ambrogio Sansedoni (1220–1286)
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1447–65
Rapier of Ambrogio Spinola (1569–1630) with Scabbard Chape
M. I. F.
ca. 1600
Saint Anne Enthroned with the Virgin and Child
Osma Master
The Rest on the Flight into Egypt
Gerard David
ca. 1512–15
Madonna and Child
Ambrogio Lorenzetti
Plate 4 depicting the trades of Rome, here including vendors of shrimps, Spanish olives, herbs etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Plate 3 depicting the trades of Rome, here including vendors of flowers, chairs, basil etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Elements of an Italian Light-Cavalry Armor alla Tedesca (in the German Fashion)
Italian, Milan
ca. 1510
Studies for Apollo and Daphne, Zeus and Juno, Orpheus and Eurydice and other figures (recto and verso)
Giovanni Ambrogio Figino
n.d.
Bianca Maria Sforza
Giovanni Ambrogio de Predis
probably 1493
Maximilian I
Giovanni Ambrogio de Predis
1502
Massimiliano Sforza, from A Treatise on Latin Grammar by Aelius Donatus (La Grammatica del Donato)
Giovanni Ambrogio de Predis
ca. 1496–99
Powder Flask
French
early 18th century
Breastplate
Italian, possibly Savoy
ca. 1650
Pair of Pauldrons and Arm Defenses
Italian
ca. 1560
Closed Burgonet of "Savoyard" Type
Italian
ca. 1600–1620
Nude Demon Encircled by a Serpent, after Michelangelo's Last Judgment; and Other Figure Studies (recto); Figure Studies (verso)
Giovanni Ambrogio Figino
1548–1608
Sword with Scabbard
possibly French; blade, German, Solingen
early 17th century
Baths of Agrippa, from "Speculum Romanae Magnificentiae"
Giovanni Ambrogio Brambilla
1583
Audience given by Pope Pius V to Cosimo I, Duke of Tuscany
Giovanni Ambrogio Brambilla
1575–99
Esequie Reali alla Catt. Maesta del Re Filippo IV Celebrate in Milano alli 17 Decembre 1665.
Giovanni Battista Barella
1665
The Last Judgment, after Giacomo Vivio dell'Aquila's sculpted model of Michelangelo's fresco
Giovanni Ambrogio Brambilla
1589
Title and plate 1 depicting the cries (trades) of Rome, here including vendors of goldfish, Milanese swords, hats etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
View of the Tiber Island represented as a ship, the Temple of Aesculapius at left
Giovanni Ambrogio Brambilla
1582
The Assumption of the Virgin
Bergognone (Ambrogio di Stefano da Fossano)
Plate 5 (second group) depicting the trades of Rome, here including vendors of coal, cheese, tripe etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Plate 10 depicting the trades of Rome, here including vendors of medicine of an upset stomach, artichokes, tripe etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Unnumbered plate depicting the trades of Rome, here including vendors of religious images, herbs, pigs, socks, bellows, milk, etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Unnumbered plate depicting the trades of Rome, here including vendors of garlic, ravioli, canisters etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Unnumbered plate depicting the trades of Rome, here including vendors of kitchen pots, garden stakes, cups etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Plate 2 depicting the trades of Rome, here including vendors of fish, sieves, candles etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Plate 8 depicting the trades of Rome,here including vendors of coral, images, lemons etc., from the "Descrición de las artes que se llaman para los calles de la ciudad de Roma"
Remondini
ca. 1770–1800
Plate 4 (second group) depicting the trades of Rome, here including vendors of mushrooms, strong oil, keys, candlesticks etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Plate 7 depicting the trades of Rome, here including vendors of books, chestnuts, portraits etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Plate 9 depicting the trades of Rome, here including vendors of water, sardines, melons etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Plate 12 depicting the trades of Rome, here including vendors of lanterns, brooms, almonds, figs etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Plate 5 depicting the trades of Rome, here including vendors of pomegranites, bowls, onions etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Plate 11 depicting the trades of Rome, here including vendors of pigs heads, milk, wine etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800